FilmConvert is thrilled to announce the launch of CineMatch, our new camera matching workflow solution. CineMatch is the fastest, easiest and most accurate camera matching solution available today. CineMatch is designed for all filmmakers working on multi-camera projects who have to deal with the painstaking task of matching cameras in post. Every… Continue reading Introducing CineMatch – camera matching made easy
Sapeurs en Danger – User Showcase
Mikey Matthews is a video producer based in Melbourne, Australia, who has travelled around the world in pursuit of photo documentary subjects. His latest film, ‘Sapeurs En Danger’, led him to the Congo’s best dressed man, as well as being held to ransom by the Brazzaville police… Mikey Matthews Give us a bit of… Continue reading Sapeurs en Danger – User Showcase
CineMatch Resolve Workflow Guide
Quick Start Method How to perform a quick camera match with CineMatch: Set up your projects as DaVinci YRGB, with your timeline color set to match your display/monitor In the Color tab, identify the clips you want to match. Leave the clips in Log, don’t apply LUTs or any other color management adjustments Add CineMatch… Continue reading CineMatch Resolve Workflow Guide
The Soul of a Statue – Thomas Hogben
Thomas Hogben Give us a bit of detail about yourself – background, profession, how you got into filmmaking and your current role I’m based in Scotland and grew up in the Highlands, before going down to Edinburgh to study Photography and Film Production in 2008. Following this, I had a real interest in visual effects and… Continue reading The Soul of a Statue – Thomas Hogben
FilmConvert Nitrate for ACES Workflow
ACES is a color-management system built into DaVinci Resolve and some other high-end VFX and compositing tools. It’s designed to convert all your footage from various origins to a single neutral working space to make compositing and VFX integration more efficient, and maintain color consistency throughout your grading and deliverables. FilmConvert doesn’t have dedicated ACES… Continue reading FilmConvert Nitrate for ACES Workflow
SKAM France – Xavier Dolléans
Xavier Dolléans, DP for SKAM, describes how FilmConvert helps complete the look for the hit French TV series. Give us a bit of detail about yourself – background, profession, how you got into filmmaking and your current role I’m Xavier Dolleans, a French director of photography. I work on fictional formats, independent TV series, and feature… Continue reading SKAM France – Xavier Dolléans
Not Alone in Here – David F Sandberg
David F. Sandberg is an acclaimed horror director on the rise in Hollywood, and his Youtube channel Ponysmasher is an incredible resource for practical filmmaking advice and inspiration. During the pandemic lockdown, David has kept his creative skills honed by making short films, the latest of which is Not Alone in Here, which he made… Continue reading Not Alone in Here – David F Sandberg
Guardians of Ua Huka – Ben Cherry
Ben Cherry is a natural history filmmaker with his own production company, Wild Cherry Media. His latest film takes viewers to remote island of Ua Huka in French Polynesia. Tuhuna is a guardian, working with the community to preserve all aspects of island life and conserve it for the next generation. Ben Cherry interview Give us a… Continue reading Guardians of Ua Huka – Ben Cherry
Entering the Unkown – Daichi Sakane
A young boy wants to follow the steps of his father and become a cosmonaut. Watch: Entering the Unknown Interview with the creators Daichi Sakane: My name is Daichi Sakane and I’m a 21-year director, producer, and visual effects artist based in Los Angeles. I have had a strong interest in the motion picture industry… Continue reading Entering the Unkown – Daichi Sakane
Blood From Stone – Geoff Ryan
Geoff Ryan’s genre-defying new feature film, ‘Blood From Stone’ debuts in June 2020. Below, Geoff describes his textbook indie success story, from the germ of an idea in high school, to assembling a crack team of collaborators, getting distributors on-board, and stretching a micro-budget to encompass a 28 day shoot in three cities, 20+ locations, and… Continue reading Blood From Stone – Geoff Ryan