This video is very graphic in its use of color- the exterior night scenes, shot with available light on Tel Aviv, contrasted with the studio scenes, shot on a background of solid colors. The Colors of the various sets were shifted and graded to establish a complimentary color scheme (especially on the Blue-Orange axis), and the flares induced by the vintage anamorphic lenses were enhanced and simulated to match across scenes. Cutting between the colors adds punch to the piece, while the flares and digital re-lighting tie it together. The night shots were tracked and graded to direct the viewer's eye to the cyclist, and the wardrobe and props in each studio set were highlighted and refined. This one is all about fun!
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Shot on Alexa XT with vintage KOWA Anamorphic lenses, graded on DaVinci Resolve 11.
By Tom Bah
Arri Alexa XT
KD Vision 3 250D 5207, Fuji Reala 8563